Last update: October 14 2008: I added 1 book.
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As you may guess, this is a list of literary works that inspired Prog musicians
to write some of their best music. This is not taken as seriously as the Prog-Bibliography,
so there may be a lot missing, also some really obvious stuff, but give me some
time...
Of course, there have also been stories the musicians wrote themselves, like
Jon Anderson's 'Olias of Sunhillow', Patrick Moraz' 'Story of I' or Dave Greenslade's 'The Pentateuch of the Cosmogony', but
they are not mentioned here, because if you have the albums, you also have the
stories...right?
The Shastras are divided into four categories by the Indian tradition:
1. Shruti
('The directly revealed works': Veda)
(Remember the title of part one: 'The revealing science of god'!)
The Veda ('knowledge') contains the oldest texts of indian literature. These religious texts, mostly
songs, maxims, aphorisms or other prose, originate from the 18th century b. c.! The youngest parts
are from the third century b. c. They had been handed down orally from generation to generation
until the 16th century a. d. when they were written down for the first time in the oldest
indoeuropean language known, although the everyday language had developed naturally.
The Veda consists of four parts or Samhitas (collections), the Rigveda, the Samaveda, the
Yajurveda and the Atharvaveda. To each of these, there are theological explanations
(4 Brahmanas), the dangerous parts of the rituals are collected separately (4 Aranyakas), also the secret
teachings (Upanishads) and the guiding texts (Sutras). The latter are ranked among the Smiriti by
the Indian tradition (see below).
- The Rigveda ('The holy knowledge put down in verses'):
The oldest of the four collections. It contains 1028 hymns, arranged in 10 Mandalas, created
by bards who were inspired by gods. These hymns are religious-magical songs of praise, that
are intended to obtain the gods goodwill and generosity while at the same time contributing
to their well-being and powers. They belong to the sacrificial ceremonies of the Brahmans.
Others have narrative contents.
- The Samaveda ('The knowledge of the melodies'):
The Samaveda-Samhita contains the chants used in the rituals. The texts originate from the
Rigveda, but they are modified for the musical necessities. There are two parts: the four
songbooks (Gana) and the three vers-collections (Arcika)
- The Yajurveda ('The knowledge of the sacrificial sayings'):
These are the sacrificial sayings (mantras) the priest has to murmur while performing the
ritual. There is no consistent tradition, so there have been many different Samhitas by different schools.
The rituals are based on a magical weltanschauung. For example: two things that have only
one feature in common, are identical, like, if the names of two things have the same number
of syllables, they are the same!
Apart from short and simple rituals, there are also ones that take a hole year and more! In
addition to those original rituals, there are others, younger ones, that have been compiled
from parts of those. So it is very hard to find out their original senses and purposes.
- The Atharvaveda ('The knowledge of the Atharvans'):
The Atharvans were firepriests, but at the time when the Veda was compiled, they had
already been mythical persons of the past.
The nucleus are popular magic formulas from indoeuropean times, but the language is
considerably younger than that of the Rigveda.
The Atharvaveda is handed down in two schools, the Saunaka-Samhita (containing 6000
hymns and verses) and the Paippalada-Samhita (containing 12.000 hymns and verses).
The magic formulas of the first part of the Saunaka-Samhita deal with everyday magic,
(formulas for love, against illnesses etc.). Their power is based on the spoken word and on
similarities of the objects used during the rituals. The second part contains speculations of priests concerning
various religious and magical topics. The third part contains topics related to the rites of the
course of life, like wedding-rituals or death-rituals. The Paippalada-Samhita is similarly
structured.
2. Smiriti (NOT 'Suritis')
('The knowledge which is kept in memory': Mahabharata and Ramayana,
Vedanga and the
Sutras)
(Part two of 'Tales' is called: 'The remembering')
- The huge epic Mahabharata had been formed between the 4th century b. c. and the 4th
century a. d.: different parts were written at different times. It contains 106.000 double
verses in 19 books. It tells the story of the enmity between two related familes, the Pandava
and the Kaurava both striving for royal dignity.
There are different parts inserted into the narrative, like the Bhagavadgita, a didactic
text containing a dialog between the warrior Arjuna and Krishna, an incarnation of the
god Vishnu about the task of a warrior to kill even relatives. In the end
Krishna/Vishnu reveales the ways to redemption.
Other parts are Nalopakhyana, a love story, and Moksadharma, a juridical text.
- The Ramayana is another epic, completed in the 2nd century a. d., but parts of it are
considerably older. 24.000 double verses. It tells the story of Ramas life and his love to
Sita. Rama is another incarnation of Vishnu. Again there are other texts inserted.
- Vedanga: These are texts that are connected to the Veda, which are not of
supernatural origin. The Vedanga contains the six auxiliary sciences for the
performance of the rituals, like phonetics (for the correct pronounciation of the ritual's
words), metrics, etymology, grammar, astronomy and 'Kalpa', a systematic
presentation of the sacrifice.
3. Purana
'Allegories originating from the ancient times'. There are 18 of them.
(The title of part three is 'The ancient')
They originate from the first millennium b. c.
The Puranas originate from warriors' circles, and are sung by bards.
A Purana is supposed to deal with five topics: cosmogony, destruction and recreation,
genealogy of
the gods, periods of the Manvantara, genealogy of the kings, but not all of
them are structured like
this.
4. Tantra
Rites and rituals
(...)
Mostly written in comparatively bad sanscrit, the Tantric texts deal with the practical sides of
religious life, like initiation rites, erotic rites, magical formulas, forms of Yoga. They are revealings
of the god Shiva. Tantric writings exist since the second half of the first millennium a. d.
I admit I haven't read the Shastric scriptures themselves, I doubt it is possible at all. But I guess one can conclude,
that 'Tales from Topographic Oceans' was inspired just by the famous footnote, and not by the large volume of Shastric scriptures.
The ‘Autobiography of a Yogi' is the book that caused Jamie Muir's departure from King Crimson.
Tantra is the name of a seventies band from Portugal.
Any suggestions? Send me an e-mail: bibmaster{at}progbibliography.de.
.